Showing posts with label The Yes Men. Show all posts
Showing posts with label The Yes Men. Show all posts

Friday, November 13, 2009

DVD Review: ABEL RAISES CAIN

ABEL RAISES CAIN (Dirs. Jenny Abel & Jeff Hocket, 2005, Released on DVD in 2009)


“When SINA was in its heyday, my dad could walk into any television studio with a drawing of a horse wearing shorts tucked under his arm and they would put him right on the air."

- Jenny Abel


Alan Abel may not be a household name but the stature of his many elaborate media pranks is sure to grow - thanks to this fine film. For well over 50 years Abel has employed many different personas, created wide ranging movements out of thin air, and duped countless news outlets as much in the name of fun as in making a provocative statement about what constitutes news.


This documentary, narrated by his daughter Jenny Abel (who wrote, edited and directed the project with her boyfriend Jeff Hockett), makes a compelling narrative out of the life of man who is not out to scam money from his hoaxes but instead wishes to overthrow the conventions of television and print journalism as wells as public perception. But that’s just a fancy way of putting it because simply what Abel has done and continues to is just damn funny.


Jenny Abel describes her father as someone who “decided long ago that he didn’t want to work rat-race hours in some large corporation” so he fell back on a career as a professional drummer. One day in the late 50’s on the way to a gig he got stuck in a traffic jam because a bull and a cow were having sex in the middle of the road. The disgusted looks on the faces of his fellow motorists inspired a wild satirical notion: a society to clothe all naked animals for the sake of decency (SINA: The Society for Indecency to Naked Animals).


This fictitious organization, devised as a parody of the moral extreme with such slogans as: “a nude horse is a rude horse”, caught fire and Abel hired an unemployed actor by the name of Buck Henry to be the spokesman. Henry, who went on to co-write THE GRADUATE and appear as a frequent host of Saturday Night Live in the 70’s, was a willing and hilarious accomplice (under the name G. Clifford Prout) as old archival footage attests.


Even though Time Magazine exposed SINA as a hoax in 1963, this was just the beginning for Abel and his wife Jeanne who spent decades putting their all into one crazy hare-brained yet strangely plausible scheme after another. For instance there was the 1964 presidential campaign to elect Jewish grandmother Yetta Bronstein (she didn’t exist), the faking of press conferences for Watergate informant Deep Throat and famous millionaire recluse Howard Hughes, and “Omar’s School for Beggars” - a panhandling program presided over by Abel (as Omar of course) wearing a black hood to keep people from recognizing him.


As a collection of fascinating footage and reminiscences, ABEL RAISES CAIN is as entertaining as it is informative and Jenny Abel’s personal approach in which she wants to make clear his motives and let us in on his private philosophies help make it one of the finest bio docs of the genre. “He was never trying to maliciously scam anyone” and “he was so convincing that it was hard to figure out exactly when he was ‘in’ character and when he wasn’t” she tells us and by the end of the film we can strongly feel her affection and awe of her father.


As times changed and the 80’s glut of tabloid talk shows clogged the airwaves, Abel’s manipulative methods were co opted by producers who hired actors to do the same shtick. These days Abel still keeps the shtick going with “Citizens Against Breast Feeding” even though the film depicts his wife and him losing their house and living in a neighbor’s basement apartment.


Political activist pranksters like The Yes Men have obviously learned a lot from Abel’s actions and as have other modern jokester journalists like Jon Stewart and Stephen Colbert but there's much more going on here than punchy yet pointed jabs at the media machine. The best biographical documentaries are as much about their subject as they are the times that sparked them on with definitive examples including CRUMB, SAINT MISBEHAVIN’: THE WAVY GRAVY MOVIE, and WILLIAM KUNSTLER: DISTURBING THE UNIVERSE. ABEL RAISES CAIN stands proudly and provocatively with them.


Post note: The DVD has a bunch of great bonus material including deleted scenes, raw footage of the Howard Hughes hoax, a family commentary, and, best of all, a 15 minute featurette elaborating on Abel's 2006 "Powerball lottery" hoax.


More later...

Friday, April 3, 2009

Full Frame Documentary Film Fest 2009: Day Two

The sky cleared and the sun came out for the 2nd day of the Full Frame Documentary Film Festival in downtown Durham. Bigger crowds came out too as it was Friday and more folks were free for the weekend. My post for the day will be shorter and not very in depth because it's been a long day and I'm very tired. I'll post full reviews of particular notable films in the near future (or at least a little more in depth than here) so please stay tuned. For now though these are my highlights for Day Two:

THE KINDA SUTRA (Dir. Jessica Wu, 2008)

This 8 minute short isn't really a documentary but a half animated featurette built around interviews with various people about how they first understood sex as children. Too cutesy for my taste really, but amusing nonetheless.

SAINT MISBEHAVIN': THE WAVY GRAVY MOVIE (Dir. Michelle Esrick, 2008) Now this is more like it! Upon entering the theater (Fletcher Hall) I was handed a red styrofoam clown nose. A suitable piece of swag for this rollicking (and rocking) bio-doc of the infamous poet turned Merry Prankster turned wacky activist/clown. Absolutely a gloriously funny and educating portrait from start to finish, it was capped off by having the man himself (below, 3rd from right) appear onstage with his wife (Jahanara Romney), director Esrick, cinematographer Daniel B. Gold, composer Daniel B. Gold, and documentatian God D.A. Pennebaker (who executive produced). Expect more bloggin' 'bout this soon because it stands as one of my favorites of the festival.


THE YES MEN FIX THE WORLD (Dirs. Andy Bichlbaum and Mike Bonanno, 2009) A great afternoon of premium infotainment continued with this hilarious docu romp through the anti-globalization activist antics of the Yes Men (Bichlbaum & Bonanno). Maskuerading as spokespeople for corporations or government run businesses they believe are corrupt (Dow Chemical, HUD, ExxonMobil, etc.) provides a puncheant platform for skyscraping satire. Definitely so far the film in the Fest with the biggest laughs I've seen as the riotous audience proved over and over.

SNEAK PREVIEW: FIXER: THE TAKING OF AJMAL NAQSHBANDI (Dir. Ian Olds, 2009) A straight forward telling of the Taliban kidnapping "fixer" (someone hired by foreign journalists to facilitate, translate, and gain access for their stories) Ajmal Naqshbandi and an Italian journalist. Much casual footage of Naqshbandi was taken in the months before his murder which made for a compelling, if at times hard to stomach, viewing (several people walked out).

BEETLE QUEEN CONQUERS TOYKO (Dir. Jessica Oreck, 2009) Beautiful but boring. The question of why the Japanese are so fascinated with beetles is answered with an attempt at visual poetry that while lush was severely sleep inducing - which is where I should be now.

Okay! I have now got to get some rest for tomorrow. Day Three of Full Frame looks pretty promising - will let you know how it goes.

More later...