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Thursday, December 2, 2010
127 HOURS: The Film Babble Blog Review

Monday, February 23, 2009
Oscar Postpartum 2009
BEST ACTOR: My pick: Mickey Rourke for THE WRESTLER. Who won: Sean Penn for MILK. I can’t say I was completely taken aback – I knew it was a tight race and I knew Penn had a slight edge. Still, I loved the underdog comeback story of both the movie and Rourke’s real life back story so I can’t say I’m not disappointed either. Penn did however acknowledge Rourke nicely in his acceptance speech: “Mickey Rourke rises again...and he is my brother.”
DOCUMENTARY SHORT: My pick: THE CONSCIENCE OF NHEM EN. What won: SMILE PINKE. I really was just shooting in the dark here - I haven’t seen any of the nominees so I was going by internet research. I feel like even if I had seen them I’d still be taking a wild guess.
SOUND MIXING: My pick: THE DARK KNIGHT. What won: SLUMDOG MILLIONAIRE. I should have known not to vote for the same movie in both sound editing and mixing. Sigh.
FOREIGN LANGUAGE FILM: My pick: VALS IM BASHIR (English title: WALTZ FOR BASHIR. What won: OKURIBITO (English title: DEPARTURES). This was because I heard more buzz for BASHIR and neglected to really look into the others. I’ll rectify that by checking them all out in the very near future.
As for the 81st Academy Awards broadcast itself I enjoyed host Hugh Jackman though I thought his song and dance numbers went on too long as did the show itself but that, of course, is a given. The “In Memorium” segment was poorly done (give everybody the big screen treatment next time!) and the one presenter presents multiple awards deal seemed to even throw Will Smith when he had to step up to the task: “Yes, they still have me up here... I think Hugh is napping.” My favorite bit of the show was presenter Ben Stiller in fake beard and sunglasses in an obvious parody of Joaquin Phoenix’s now infamous Letterman appearance of a few weeks back.
To his awkard antics (or non-antics) and his declaration: “I just want to retire from being the funny guy”, co-presenter Natalie Portman remarked: “You look like you work at a Hasidic meth lab.”
Ah, another Oscars over. Now back to the daily grind.
More later…
Friday, February 20, 2009
Hey Kids - Funtime Oscar Picks 2009!
With 2 days to go I thought it was time to finalize my Oscar picks for this year. Like I’ve said before I’m going in with a certain percentage of guts, wild guessing, and a bit of internet research. The last few years I’ve gotten the same score - 13 out of 24 so don’t think I’m talking like I’m any expert. Far from it but here goes anyway:
1. BEST PICTURE: SLUMDOG MILLIONAIRE
It looks like this or THE CURIOUS CASE OF BENJAMIN BUTTON will win. I’m going with this because the buzz seems stronger and more genuine.
2. BEST DIRECTOR: Danny Boyle
3. BEST ACTOR: Mickey Rourke - I believe this will happen but it’s a personal choice as well. His acceptance speech is sure to be a tearjerker. I’ll probably be all cried out from his interview with Barbara Walters earlier in the evening by then though.
4. BEST ACTRESS: Kate Winslet
5. BEST SUPPORTING ACTOR: Heath Ledger - It will indeed be extremely shocking if this doesn’t happen. Seems like even if not for his incredibly untimely demise, Ledger would still pick the winning card.
6. BEST SUPPORTING ACTRESS: Penelope Cruz - feels like there may be a major surprise in this category but I’m going with Cruz, again for personal reasons.
And the rest:
7. ART DIRECTION: THE CURIOUS CASE OF BENJAMIN BUTTON
8. CINEMATOGRAPHY: SLUMDOG MILLIONAIRE
9. COSTUME DESIGN: THE DUCHESS
10. DOCUMENTARY FEATURE: MAN ON WIRE
11. DOCUMENTARY SHORT: THE CONSCIENCE OF NHEM EN
12. FILM EDITING: SLUMDOG MILLIONAIRE
13. MAKEUP: THE CURIOUS CASE OF BENJAMIN BUTTON
14. VISUAL EFFECTS: THE CURIOUS CASE OF BENJAMIN BUTTON
15. ORIGINAL SCORE: SLUMDOG MILLIONAIRE
16. ORIGINAL SONG: “Jai Ho” from SLUMDOG MILLIONAIRE
17. ANIMATED SHORT: PRESTO - This is the only one I’ve seen (it’s the only many have seen since it was at the beginning of WALL-E) but it seems to have the edge.
18. LIVE ACTION SHORT: MANON ON THE ASPHALT
19. SOUND EDITING: THE DARK KNIGHT
20. SOUND MIXING: THE DARK KNIGHT
21. ORIGINAL SCREENPLAY: MILK
22. ADAPTED SCREENPLAY: SLUMDOG MILLIONAIRE
23. ANIMATED FEATURE FILM: WALL-E
24. FOREIGN LANGUAGE FILM: WALTZ WITH BASHIR
Okay! Check back on Monday to see how many I got wrong.
More later…
Saturday, February 14, 2009
Working The FRIDAY THE 13TH Matinee On Valentine's Day
I worked a short shift this afternoon and it went something like this:
2:18 P.M. Both films are well underway. There are only 8 people in the theater to see FRIDAY THE 13TH as opposed to the 62 that are here to see SLUMDOG MILLIONAIRE. Ouch! Of course our theater is not exactly representative of how well the film may actually be doing. It is playing at 2 multiplexes in the area and many who would go to a horror film wouldn’t usually go until after dark. After cleaning up a little I tell my co-workers I’m going to check out some of FRIDAY THE 13TH but I’ll probably be back really soon. I enter the theater…
2:36 P.M. I’m back in the lobby. When I walked in I saw one of the classic horror movie clichés – a group of teenagers sitting around a campfire telling scary stories. Well, only one story actually about a camp counselor named Jason whose mother infamously murdered many folks in these very woods back in the day. Within 5 minutes, a girl is topless and a geeky guy (I’m not going to credit any of these actors – I seriously doubt any of them will come up again) is brutally killed while looking for weed in the woods. Mama’s boy Jason is fiercely protective of the
2:51 P.M. For some reason I decide I can stomach some more so I go back in…
3:06 P.M.
3:16 P.M. Okay, only because I’m bored I go in for what I hope is my final round with the FRIDAY THE 13TH, uh, well it’s not really a remake so is it a re-boot? A re-imagining? Whatever it is I go on in again…
3:48 P.M. Whew! I actually watched the entire last act! The kids were in some house with the power cut off and Jason was offing them one by one (he seems to particularly enjoy impaling young scantily clad bodies on whatever's handy - axes, deer antlers, long spikes and hooks, etc.). I loved when they called the police, only one car showed with only one cop and it seemed like less than a minute before he was impaled on something (most be some unwritten rule of horror movies - only send one cop). It was all exactly what I expected. Not one surprise or moment of original invention especially not the so non thriller ending. But then it makes no claims to be anything but an onslaught of breasts and blood so what I’m I complaining about? Okay I’m complaining about how what I saw was bone dry boring and bad by even schlocky slasher movie standards.
4:54 P.M. My shift is over. As I leave the theater I ask how many tickets sold for the 4:20 FRIDAY THE 13TH. One ticket sold. SLUMDOG MILLIONAIRE sold roughly the same as its earlier show (about 60 something). Obviously there’s little love for the new Jason incarnation but at least I figured out that it’s not a remake, reboot, or re-imagining. It’s a rehash rip-off.
The rest of my Valentine’s day has got to be better than this.
More later…
Monday, December 15, 2008
SLUMDOG MILLIONAIRE: The Film Babble Blog Review
The buzz has been a-blazing on this film way before it made the news when Roger Ebert got smacked down (literally) by a fellow critic at a screening in
Our hero is 18 year old Jamal (Dev Patel along with Tanay Cheda and Ayush Mahesh Khedekar as Jamal at younger intervals) who is being interrogated by police, USUAL SUSPECTS-style, about his suspiciously improbable winnings from appearing on the Hindi version of the modern classic quiz game show Who Wants To Be A Millionaire?. His answers involve engaging and sometimes disturbing flashback sequences that are handled deftly and definitely more fluidly than in many other recent broken narratives. From an early age, Jamal made a couple of connections that would deeply affect his current predicament – his love for Latika (Freida Pinto with Tanvi Ganesh Lonkar, and Rubiana Ali as younger incarnations) and his stormy clashes with fellow slum kid Salim (Madhur Mittal, Ashutosh Lobo Gajiwala, and Azharuddin Mohammed Ismail – whew!) All of these talents, tested (especially Anil Kapoor as the unctuous game show host) and untested are up to the task at hand here.
A end credits dance sequence (that can’t possibly be a Spoiler!, can it?) is the only thing Bollywood about this Indian movie made by Brits but that works as well and as entertainingly as everything else here. Despite a fair amount of subtitled dialogue (which is pretty stylized as it goes for subtitles) 80-90% of it is spoken in English and it’s instantly accessible so it’s sure to pick up even more acclaim and box office in the weeks to come. SLUMDOG MILLIONAIRE is one of the best movies of the year for sure and will endure to be much more than a winner this awards season – I feel that for years to come it’s going to be a favorite of the same folks who can love AMELIE and an edgier work like GOODFELLAS equally. It has plenty of pure stultifying competition (got MILK?) out there in what’s shaping up to be a precedent setting prestige motion picture season, but from what I’ve seen so far this has the “fun factor” on its side in spades.
More later...