Oscar Postpartum 2011

It was far from the most exciting Academy Awards broadcast. The most surprising thing that happened was that Kirk Douglas stole the show from hosts James Franco and Anne Hathaway.

As for my Oscar picks I got exactly the same amount right that I did last year - 13 out of 24.

Here are the ones I got wrong:

BEST PICTURE: THE KING'S SPEECH. For the first time in 4 years I got this one wrong. I picked THE SOCIAL NETWORK because that was what I was feeling, but the Academy voters felt differently. THE KING'S SPEECH is excellent and deserving so I'm not disapointed.

Funnily enough last September Bill Maher joked on his HBO show (Real Time With Bill Maher):

"New rule: If they are going to make a historic epic full of British actors in period costumes about Queen Elizabeth helping her father get over his speech impediment, why bother having the Oscars at all? You win."

He didn't get the plot right exactly, but he was dead on there.

BEST SUPPORTING ACTRESS: Melissa Leo won for THE FIGHTER. I really thought Haileed Steinfeld would take it. Sigh.

BEST DIRECTOR: Tom Hooper for THE KING'S SPEECH. I picked David Fincher for THE SOCIAL NETWORK - I really should've seen THE KING'S SPEECH sweep coming.

These were pretty much stabs in the dark:

BEST FOREIGN FILM: IN A BETTER WORLD. Honestly can't remember why I went with INCENDIES.

BEST CINEMATOGRAPHY: Wally Pfister for INCEPTION. Was pulling for Roger Deakins for TRUE GRIT because he's been nominated 9 times and I thought it was his time. It wasn't.

BEST SCORE: Trent Reznor and Atticus Ross for THE SOCIAL NETWORK. The Academy got this one right, but I didn't with my pick of Alexandre Desplat for THE KING'S SPEECH.

BEST SONG: Randy Newman for TOY STORY 3. Another I was happy to be wrong about. I had choosen A.R. Rahman, Rollo Armstrong, and Dido for 127 HOURS which didn't win anything.

BEST DOCUMENTARY: INSIDE JOB - Man, I so wanted Banksy to win for EXIT THROUGH THE GIFT SHOP. However INSIDE JOB was a great flick too so I'm fine with it.

BEST DOCUMENTARY SHORT: STRANGERS NO MORE. My pick - KILLING IN THE NAME is another that I can't remember why I picked it.

Ditto on these 2:

BEST SHORT (ANIMATED): THE LOST THING.

BEST SHORT (LIVE ACTION): GOD OF LOVE.

My favorite line of the entire broadcast: "You've just been Inceptioned!" - as spoken by Alec Baldwin.

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Hey Kids - Funtime Oscar Picks 2011!

It's that time of year again - the Oscars are Sunday so I've got to make my annual predictions. If you've followed this blog in previous years you'll know I'm no expert - I usually do okay with the major categories, but come up short in my picks for the smaller awards.

Still here's what I got:

1. BEST PICTURE: THE SOCIAL NETWORK

Yes, many are saying THE KING'S SPEECH will win this, having won many previous awards, and boasting the most nominations, but I am so feeling the Facebook film to go home with the gold.

2. BEST DIRECTOR: David Fincher for THE SOCIAL NETWORK. Yep, likewise.

3. BEST ACTOR: Colin Firth for THE KING'S SPEECH. I'd prefer James Franco for 127 HOURS but Firth seems like a shoe-in for his stammer-perfect part as George VI.


4. BEST ACTRESS:

Natalie Portman for BLACK SWAN.

Seeing the young Portman again recently at a revival screening of THE PROFESSIONAL (1994) reminded me how far she's come - I expect this to confirm that.


5. BEST SUPPORTING ACTOR:

Christian Bale for THE FIGHTER.

None of the other actors nominated have that unhinged intensity that Bale brought to his role as a boxer gone to seed - or crack.

6. BEST SUPPORTING ACTRESS: Hailee Steinfeld for TRUE GRIT. Seems about time for such a young actress to win this - also seems time because Steinfeld was so good holding her own up to Jeff Bridges, Matt Damon, and Josh Brolin in this instant Western classic.

And the rest:

7. ART DIRECTION: ALICE IN WONDERLAND

8. CINEMATOGRAPHY: Roger Deakins for TRUE GRIT

9. COSTUME DESIGN: ALICE IN WONDERLAND

10. DOCUMENTARY FEATURE: EXIT THROUGH THE GIFT SHOP. Go Banksy!

11. DOCUMENTARY SHORT: KILLING IN THE NAME

12. FILM EDITING: THE SOCIAL NETWORK

13. MAKEUP: THE WOLFMAN (Rick Baker, Dave Elsey)

14. VISUAL EFFECTS: INCEPTION

15. ORIGINAL SCORE: Alexander Desplat for THE KING'S SPEECH

16. ORIGINAL SONG: "If I Rise" (A. R. Rahman, Dido) from 127 HOURS

17. ANIMATED SHORT: THE GRUFFALO

18. LIVE ACTION SHORT: THE CONFESSION

19. SOUND EDITING: INCEPTION

20. SOUND MIXING: INCEPTION

21. ORIGINAL SCREENPLAY: THE KING'S SPEECH

22. ADAPTED SCREENPLAY: THE SOCIAL NETWORK

23. ANIMATED FEATURE FILM: TOY STORY 3

24. BEST FOREIGN FILM: INCEDIES

We'll see how many I get wrong on Sunday night.

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The Film Babble Blog Top 10 Movies Of 2010

Although there is still a slew of 2010 films I have yet to catch up on (films such as CARLOS, BLUE VALENTINE, SOMEWHERE, etc. have yet to come to my area) I decided to go ahead and make my list of the best of the year.

Though in many ways a lackluster year, there were still a smattering of excellent films by film makers and actors at the top of their game.

Here are my favorites:

1. THE SOCIAL NETWORK (Dir. David Fincher)

Time Magazine's 2010 Man of the Year: Mark Zuckerberg - computer nerd visionary or just an arrogant asshole who ripped off his best friends? Whether Zuckerberg (played here by Jesse Eisenberg) is really Man of the Year or not, this scrupulous Aaron Sorkin scripted comic drama is my movie of the year because of its snappy narrative take of the phenomenon of Facebook. Read my review here.

2. TOY STORY 3 (Dir. Lee Unkrich) Pixar holds the #2 spot on my top 10 for the third year in a row and that's fine by me. This funny, exciting, and genuinely touching trilogy topper is a supremely satisfying sequel and another entry in the annual Pixar blows every other animated movie away sweepstakes. Take that HOW TO TRAIN YOUR DRAGON, DESPICABLE ME, MEGAMIND, and TANGLED! Though some of those films had their moments. Read my review here.

3. TRUE GRIT (Dirs. Joel & Ethan Coen)

Enlisting "the Dude" to take on the role made famous by "the Duke", the Coen Brothers make a Western epic that does grand justice to the genre. Jeff Bridges along with an ace supporting cast including Hallie Steinfeld, Matt Damon, and Josh Brolin handle the humor and powerful pathos of this material mightily. Read my review here.

4. INCEPTION (Christopher Nolan)


I called this film "an incredible mind bender of a movie" in my rave review last summer and still stand by that. I also wrote "what wins out is that this film threatens to burst out of the screen into real life - just like the most lucid dreams." Read the rest of my review here.

For my reviews of the rest of the movies on the list please click on the highlighted titles.

5. 127 HOURS (Dir. Danny Boyle)

6. BLACK SWAN (Dir. Darren Aronofsky)

7. THE KING'S SPEECH (Dir. Tom Hooper)

8. EXIT THROUGH THE GIFT SHOP (Dir. Banksy)

9. THE AMERICAN (Dir. Anton Corbijn)

10. THE GHOST WRITER (Dir. Roman Polanski)


I may make a revised list later if I get to a film from 2010 that warrants inclusion.


More later...

THE SOCIAL NETWORK: The Film Babble Blog Review

THE SOCIAL NETWORK

(Dir. David Fincher, 2010)

This is the film that asks - is Facebook founder Mark Zuckerberg a computer nerd visionary or just an arrogant a--hole that ripped off his friends?

A bit of both appears to be the answer - but THE SOCIAL NETWORK, courtesy of Aaron Sorkn’s screenplay as realized by David Fincher, is far from a smear job on the world’s youngest billionaire.

Jesse Eisenberg, at his most coldly focused, plays Zuckerberg who we meet in a darkly lit Harvard college tavern in 2003 having an intense and intimidating conversation with his girlfriend (Rooney Mara).

It’s a back and forth that runs rings around your head, so much so that Mara takes the opportunity to break up with Eisenberg. He sulks back to his dorm room and blogs that she’s a bitch and that he needs a new project to get his mind off of her.

Drinking beer after beer, Eisenberg throws out errant ideas to his best friend (Andrew Garfield) before he settles on creating a site called “Facemash” – a Hot Or Not-like site featuring pictures he hacked from campus computer databases.

Eisenberg finds that in addition to making his fellow female students very angry, it gets him noticed.

He’s approached by a couple of preppy crew rowing twin brothers (Josh Pence and Arnie Hammer) and their business partner (Max Minghella ) who want him to help them build a new social networking site called HarvardConnection.

“I’m in.” says Eisenberg and the film cuts to his deposition 3 years later where under oath he states that he doesn’t recall saying that.

You see, he’s being sued by the brothers for intellectual property theft in Federal court at the same time he’s being sued by Garfield over ownership of Facebook.

We bounce between flashbacks and testimony exchanges that detail Eisenberg devising the famous Facebook format while dodging email requests from the brothers.

When the site goes public Eisenberg and Garfield attract many followers, groupies and the attention of Napster founder Sean Parker (Justin Timberlake).

Timberlake seduces Eisenberg with his schmoozy charm, but not Garfield. Ties get even more tangled when Eisenberg rents a house in Silicon Valley which appears to be a nonstop party central despite the “wired in” employees working 24/7.

It’s easy to get caught up in the flow of this film. Sorkin’s dialogue is sharp, Fincher’s craft is on the scale of his best work (that includes FIGHT CLUB, SE7EN, and ZODIAC), and cinematographer Jeff Cronenweth’s swift camerawork frames it all with a minimum of flashy tricks.

The cast is pitch perfect. It’s Eisenberg’s best work to date, Garfield’s worrywart tone clashes correctly, and Timberlake predictably steals every scene he’s in.

Also Rashida Jones ("Parks And Recreation"), Bryan Barter, and the convincing brother duo of Pence/Hammer all chime in with sublime supporting roles.

There’s plenty on the internet about what’s accurate and what isn’t in this film, but the movie on its own is a storytelling gem.

You can see the point of view of the allegedly wronged parties and feel sympathy for the character of Zuckerberg even as he works overtime to hide his emotions.

Fincher, Sorkin and Co. obviously want us to see the irony in an anti-social guy who screws over the few friends he has in order to build one of the biggest and most profitable social internet websites in history.

A piece of supreme entertainment, THE SOCIAL NETWORK does indeed accomplish that task with relish. The only thing it’s missing is a big “Like” button for me to click at the end.

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HOLY ROLLERS: The Film Babble Blog Review

HOLY ROLLERS (Dir. Kevin Asch, 2010)

For the last year it has looked a lot like Jesse Eisenberg (ADVENTURELAND, ZOMBIELAND, SOLITARY MAN) was gaining on Michael Cera in the awkward geeky teenager sweepstakes (next week though SCOTT PILGRAM VS. THE WORLD will likely be a game changer), but this is a welcome change in character and content for the budding actor.

On the surface Eisenberg, as a Hasidic Jew in Brooklyn in 1998, seems content with life working with his father and hoping to be approved by his Rabbi for an arranged marriage, but spend a little time with him and he’s clearly an angsty 20 year old going through the motions.

His next door neighbor (played with snarky profane charm by Paul Bartha) mentions to Eisenberg that he could make some money transporting “medicine for rich people”, which turns out to be ecstasy, from Amsterdam to New York.

This new choice of career involves a slick but shady Israeli dealer (Danny A. Abeckaser), his way too flirty girlfriend (Ari Graynor), and a set of rules about how to handle going through customs – #1 of which is “act Jewish.”

Because of Eisenberg’s strict religious attire including a large black hat, dark brown cloak, and his curly sidelocks left long (called ‘payes’) he is unlikely to be searched by airport security and this ploy works well enough that his trips become routine.

However, it’s not just his traditional clothing that wins over his boss. Abeckaser takes a shine to Eisenberg quickly because of his business sense which is well displayed in a nervy drug costs negotiation scene with rapper Q-Tip.

Bartha’s brother and Eisenberg’s friend, Jason Fuchs, meanwhile, who went on their first trip but backed off from joining the operation when the dreaded word “drugs” was said, marries the woman Eisenberg was pining for and seems to be the source of rumors spread around their neighborhood.

There are the obligatory spiraling-down-into-the-darkness druggie sequences with flashing rave lights and supposedly scary chemical induced craziness, but this film is grounded firmly in its narrative.

Not that it’s in the same class, but memories of Martin Scorsese’s early work can be felt, such as the secular struggles of Harvey Keitel in WHO'S THAT KNOCKING AT MY DOOR? and MEAN STREETS. The same thematic of religious practice versus thug life/drug life echoes through the tension filled final third of HOLY ROLLERS.

The characters in this tale of Hasidic Jews as drug mules are composites based on the participants of the real small drug ring that imported over a million ecstasy pills into New York in the late ‘90s.

The formula in which drugs equals riches and fun for the first half, then a second half of drug equaling paranoia, death or incarceration may be a bit burned out, but this is still a concise (89 min.) and compelling film.

In this promising directorial debut from Kevin Asch, Eisenberg is showing that he is starting to drop some of the tics and overly broad mannerisms and really act.

Michael Cera may have won many more hearts with his stilted shtick (and again maybe more next week in SCOTT PILGRAM), but Eisenberg, with this solid indie and with THE SOCIAL NETWORK coming this fall is poised to get plenty of runoff.

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