Showing posts with label Scarlett Johansson. Show all posts
Showing posts with label Scarlett Johansson. Show all posts

Sunday, May 9, 2010

IRON MAN 2: The Film Babble Blog Review

IRON MAN 2 (Dir. Jon Favreau, 2010)


Summer sequel season has begun with the return of Robert Downey Jr. as Marvel Comics super hero Iron Man. But you not only know that, you've probably already seen it as it had the second-highest May opening of all time grossing $133 million over this last weekend. For my two cents I'll say upfront that IRON MAN 2 is a good time, not the great time that the original was because it's a bit messy. Highly stylized and funny with quite a few sheer thrills, but still a bit messy.

We catch up with Tony Stark, not long after revealing his identity as Iron Man, enjoying his reign as a global celebrity who claims to have "privatized world peace." He seemingly takes in stride that he's called before a Senate Committee for a hearing led by Garry Shandling as a disapproving Senator who wants Stark to turn over the Iron Man suit to the military. Our snarky hero is more concerned that the palladium in the arc reactor keeping his heart beating has begun to poison his body so he's trying to live it up since his days are numbered.


Meanwhile villainy toils in the shadows in the form of Mickey Rourke as a crusty Russian who has built his own arc reactor and a suit that has its arms outfitted with cybernetically controlled whips. Whiplash, as he's dubbed, blames Stark Industries for his father's death, and seeks revenge. He attacks Stark on a racetrack in Monaco, but Stark defeats him after some close calls when he's able to get to his snazzy Iron Man suitcase. Also meanwhile, and that's one problem with this film - too many "meanwhile's", Sam Rockwell as a conniving competing weapons manufacturer plots to take down Stark and sees an ally in Whiplash.

Gwyneth Paltrow returns as Stark's right hand lady Pepper Pots who Stark promotes to CEO. Terrence Howard doesn't return as Lt. Colonel James "Randy" Rhoades, for reasons that aren't quite clear he's been replaced by Don Cheadle. Scarlett Johansson joins the cast as Stark's new assistant who is revealed to be a double agent working with Nick Fury (Samuel L. Jackson), introduced in the post credits of the original, of S.H.E.I.L.D. which was co-founded by Stark's father (Mad Men's John Slattery) who appears in an old Stark Expo film that just happens to contain a secret message.

Whew! There's a bunch of other elements I'm not going to go into because, well, you get the picture - it's over stuffed with plot strands. This means a number of payoffs, such as Rourke's placing in the climax, are a bit compromised. By the way Rourke's mock Ruskie accent made me keep thinking he was going to say "I'm going to break you" like Dolph Lundren did in ROCKY IV. Johansson doesn't make much of an impression except in one scene where she kicks the ass of a squad of baddies that comes off like an audition for CHARLIE'S ANGELS 3D.

As for the others - Paltrow just hovers around, Cheadle is a bit more engaged yet ultimately just along for the ride, and Rockwell does a decent job but doesn't bring much new to the game. Director Favreau reprises his part as Stark's bodyguard giving himself more screen time which doesn't detract, but maybe should have been deleted scenes for the later DVD/Blu ray.

As we all know though, it's Downey Jr.'s stage and he makes the most of it. Glib wisecracks aside he has a great interrogation room scene with Rourke. Both actors bring it dramatically for one of the only breaks from the comic action spectacle, and it helps give the movie some needed grounding.

So the fresh feeling of the first one is gone and the plotting is a bit creaky as well and the exposition heavy, but there's enough fun to go around until the next time (stay through the credits to get a glimpse of what's coming).
IRON MAN 2 is much better than just passable (as super hero sequels often are), and its heart (or arc reactor) is in the right place.

More later...

Monday, September 15, 2008

A Film Babble Blog Pop Quiz Reprise

To celebrate this being my 200th post (which I know in the bloggosphere is no biggie - my prolific pals at The Playlist have had 1471 posts this year alone!) I decided to re-post a quiz from my 80th post (May 6th, 2007) that didnt get a very satisfactory response first time out. Ive had a lot more hits since then and Ive added a new EXTRA EXTRA CREDIT question so I hope film freak folks will roll up their sleeves, get their #2 pencils, and tackle:

Film Babble Blog's Movie & TV Mind Teasers!

The major unanswered questions in the realm of modern pop-culture in a quick n easy pop-quiz format.

1. What was in the briefcase in PULP FICTION?


2. What was in the package that Charlie Meadows (John Goodman) leaves in the care of Barton (John Turturro) in BARTON FINK?

3. What state is Springfield in on The Simpsons?

4. Why (or how) is Chance the Gardener (Peter Sellers) able to walk on water at the end of BEING THERE?

5. How (or why) did Groundhog Day keep repeating to Phil Connors (Bill Murray) in GROUNDHOG DAY?

6. What is the one thing that 13 CONVERSATIONS ABOUT ONE THING is about?

7. Did Mookie (Spike Lee) do the right thing in DO THE RIGHT THING?

8. When the Fonz (Henry Winkler) moved in over the Cunningham's garage on Happy Days - did he actually pay rent?

9. How on bloody Earth did those images get on that damn videotape in any version of THE RING?

10. Who killed chauffeur Owen Taylor (Dan Wallace) in THE BIG SLEEP?
(Man, if you can answer this...)


EXTRA CREDIT :

Who put the monolith on earth during the opening apes BC segment and on the moon in 2001: A SPACE ODYSSEY? God or Aliens? Discuss.


EXTRA EXTRA CREDIT:

What does Bill Murray whisper in Scarlett Johansson' s ear at the end of LOST IN TRANSLATION?



Okay film folks!
Dont let me down - take the quiz and send your answers to me as comments below or to my email:

boopbloop7@gmail.com

More later...

Friday, August 15, 2008

Woody Gets His Groove Back! VICKY CRISTINA BARCELONA - The Film Babble Blog Review

VICKY CRISTINA BARCELONA (Dir. Woody Allen, 2008)

Woody Allen’s 43rd film as director is lush, absorbing, and easily his best film in 10 years. The 4th in his series of films that abandon his long-time cinematic comfort zone of Manhattan for the splendor of a European escapade, Allen is reunited with his most recent muse Scarlett Johansson but this time with terrific not abysmal results. After the traditional Allen white on black credits (now with Spanish guitar and not big band jazz accompanying) we join Johansson and best friend Rebecca Hall as they get off a plane in Barcelona - they are the Cristina and Vicky of the title.

A narrator (Christopher Evan Welch), a device that evokes memories of the docudrama style of
HUSBANDS AND WIVES, tells us about our leading ladies' temperments - Johansson is romantically impulsive while Hall is stable, analytic, and most importantly engaged to be married to a buttoned-down reliable but bland Chris Messina. While dining one night a smooth Spanish painter (Javier Bardem) approaches them and proposes that they join him for a romantic weekend in Oviedo: “We’ll eat well, we’ll drink wine, we’ll make love”. Hall is immediately cynical and put off by Bardem, having heard troubling gossip about his ex-wife, but Johanssen is giddily enchanted which wins over and we're off and running!

Bardem’s ex-wife, the sultry and simultaneously sulking Penélope Cruz, is trouble indeed; she shows up after getting out of the hospital asking for vodka with daggers in her eyes aimed at Johansson as she storms into their life. Possible Spoiler!: both Hall and Johansson have fallen for Bardem by this point which threatens Hall’s marriage and makes murkier the matters of the heart between all of them. What’s never murky is the photography with gorgeous shots of the temples, landscapes, and luxurious patios of Spain framed by cinematographer Javier Aguirresarobe. The dialogue is crisp and wittier than Woody Allen has given us in ages with even subtitled lines (Cruz and Bardem exchange many private asides in Spanish) stinging as the pace never drags with many expertly crafted uncut tracking shots flowing as the characters themselves flow through the beautiful scenery. Great naturalistic acting from all the principals abounds with supporting turns by the always charming Patricia Clarkson and the underused Kevin Dunn filling out the most colorful Woody Allen movie so far.

With Cruz, the Spanish locale, and Aquirresarobe (Director of Photography on TALK TO HER) it could look at first glance that Allen is aping Aldomovar but the pessimism, views on art and forbidden love, as well as the neurotic behaviour (can’t write a review of a Woody Allen film without some use of the word “neurotic”) is all classic Woody Allen. If you only know Bardem from his role as the cold blooded killer Chighur in NO COUNTRY FOR OLD MEN his role here will be a revelation. Johansson does her best work since LOST IN TRANSLATION fully inhabiting her character with flare and much moxie. All the promotional material for this film (the poster, trailer, etc.) for a large part excludes Rebecca Hall (pictured at the top of this review) which is odd because it’s her tortured entanglement that really gives the film its narrative thrust - I suppose she wasn’t enough of a name for the publicity department.

The tedious repitition of worn-out plot points (Hello, MATCH POINT) and the lackluster lines of his last several films is replaced by a passionate and vital sense of purpose (and a great screenplay) which makes for a extremely satisfying meal of a movie. The only possible reservation I have is for the inclusion of Welch’s voice-over narration; much of the time I thought the film could do without it but I have to admit it contained some insightful and amusing remarks so I’ll leave it be. VICKY CRISTINA BARCELONA is a welcome return to form for the Woodman and with his next project, the already completed WHATEVER WORKS with Larry David and Evan Rachel Wood (also featuring Clarkson) here’s hoping he’s on a roll.

More later...

Wednesday, August 9, 2006

A Couple Of Comedies For The Summer Home Stretch

"When will this rotten summer end? In a film, it'd already be over. Fade-out, cut to storm. Wouldn't that be great?" - Salvatore (Marco Leonard) CINEMA PARADISO 1989

Dog days indeed. Lame ass movie season to cover - I mean I saw PIRATES OF THE CARRIBEAN : DEAD MAN'S CHEST weeks ago and had no inclination to write about it. I mean I would just be repeating what so many others have said - its too long, a series of action pieces in search of a story, just a set-up for a third movie, etc. Damn I went and repeated that crap anyway. Sigh. Anyway - what else have I seen? Hmmm...

CLERKS 2
(Dir. Kevin Smith) Things start off promising - a great Talking Heads song ("Nothing But Flowers") accompanies Dante (Brian O'Halloran) on his drive to his new place of employment after the infamous Quick Stop burns down. Once we settle with him and obnoxious side-kick Randal (Jeff Anderson) into Mooby's, a bad parody of a McDonalds-style fast food joint, we get stale dialogue and half assed acting with no semblance of artistic justification. Smith fans will think I'm being a prude but I was seriously bored by this material. In particular the Jay and Silent Bob (Jason Mewes and Kevin Smith respectively) characters have been done to death - they were fine as first time out creations by a talented novice filmmaker but after 6 movies, a series of comic books, and a cartoon show for Christ sakes they have long ago jumped the shark *. This time however Kevin Smith doesn't just jump the shark - he fucks the shark and gives it ass to mouth. A new addition to the worse sequels of all time for sure.

* For those who don't understand the "jumping the shark" reference please consult this amusing Wikipedia entry.

SCOOP
(Dir. Woody Allen) Much more enjoyable than MATCH POINT and definitely funnier than his last few flicks - too bad that's not saying much. Continuing his supposed simultaneous cinematic love affair with both Scarlet Johansen and London we're in fluffy territory here - think MANHATTAN MURDER MYSTERY crossed with the jokey supernatural ALICE and the supremely underrated NEW YORK STORIES segment and you've got SCOOP. Hugh Jackman plays the would be murderer while Ian McShane guides the action from beyond the grave - from a boat captained by the grim reaper - yeah that bit doesn't really work but it doesn't get in the way of this fairly decent, fairly funny, just plain fair Woody Allen film.

More later...